故事发生在大正十五年，多吉（长冢京三 饰）不愿意继承家业因而离家出走，前往静冈县投靠在印刷厂工作的大哥。途中，多吉邂逅了名为大冢花（田中美佐子 饰）的美丽女子，被大冢花的美貌所吸引，多吉改变了自己的目的地，追随在大冢花的身后。 　　实际上，大冢花是依靠身体赚钱的妓女，多吉于无意之中窥见了大冢花和一个男人的交易，不明就里的多吉以为大冢花遭到了强暴，遂起了杀心。之后，男子的尸体被警方发现，和他有牵连的大冢花遭到了拘捕调查，却因为证据不足而被释放。一晃眼二十九年过去，多吉已经成为了印刷厂的老板，而过去杀人事件的阴影却依然笼罩着他。

昭和31年（1956年），静冈县的印刷商望月次郎接到临退休刑警田岛的委托，要印刷一份“刑事搜查资料”。这份资料记录着一桩已经过了追诉时效的土木工人被杀案，案件关联着“修善寺妓女”大塚花，以及曾在天城隧道附近被人目击的14岁少年。 望月在翻阅资料的过程中，尘封的记忆慢慢苏醒——原来那个“少年”就是31年前的自己，而大塚花正是他的初恋。当年，他和花曾光着脚一起翻越天城山，度过了好几个小时如梦幻般的恋爱时光。花的笑容、动听歌声以及掌心的温度仿佛还在，可分别之后，花却因杀害工人被捕。在警方审讯时，花在田岛刑警的逼供下认了罪，但其供词矛盾重重，好像是在故意包庇某人。 31年后的现在，田岛刑警为何突然来找望月？又为何执着地逼他面对过去的事？当事件的“真相”最终浮出水面，望月和花跨越了半生的宿命再次重逢。

昭和３１年。静岡県で印刷業を営む望月次郎は、定年間近の田島刑事から「刑事捜査資料」の印刷を頼まれる。その犯罪事例の中には、時効を過ぎた土木作業員殺害事件の記述があった。事件には、「修善寺の遊女」大塚ハナと、天城トンネル付近で目撃された1４歳の少年が関わっていた。 資料を読み、望月の封印していた記憶がよみがえる。「少年」は３１年前の自分だった。そして大塚ハナは、初恋の女性だ。当時、はだしのまま手に手をとって天城峠を越えた、数時間の恋。ハナの笑顔、美しい歌声、手のぬくもり――夢のような時間のあと、自分と別れたハナは土木作業員を殺し、逮捕されたのだった。警察署での田島の強引な取り調べに、殺害を自供したのはハナであった。だが、不自然な自供ではあった。まるで誰かをかばっているかのような……。 そして事件から３１年後の今、田島刑事はなぜ望月を訪ねて来たのか？なぜ...

改编自同名漫画，讲述班上风云人物高良瞬，与不起眼但讨人喜欢的纯情男子天城太一掩人耳目偷偷交往，但又无法坦率谈恋爱的模样的故事

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

大藏

大藏